Product Description
This selection of Bertolt Brecht’s critical writing charts the development of his thinking on theatre and aesthetics over four decades. The volume demonstrates how the theories of Epic Theatre and Alienation evolved and contains notes and essays on the staging of The Threepenny Opera, Mahagonny, Mother Courage, Puntila, Galileo, and many others of his plays. Also included is A Short Organum for the Theatre, Brecht’s most complete statement of his re… More >>
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Brecht On Theatre : The Development of an Aesthetic
Tue, Mar 30, 2010
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March 30th, 2010 at 6:55 pm
As a theater major I found this book a must so I could understand the MAN(Brecht) as well as his concept of theater…. This book will leave in dismay of how he thought but a gunuine source of how much impact Brecht had on the world of theater
Rating: 4 / 5
March 30th, 2010 at 8:52 pm
Classic Text. Feel free to jump around chapters as you read this. It’s a compilation of Brecht’s ideas andis best read in random order.
Rating: 5 / 5
March 30th, 2010 at 10:39 pm
This is a huge selection of essays written over many years. This not necessarily something you may want to just sit down and read straight through. If you do, you will find many contradictions over the years. At any rate, it is a very formative collection of Brecht’s work, and certainly a must have for anyone who studies theatre or the arts in general.
Rating: 5 / 5
March 31st, 2010 at 1:09 am
First of all, it should be mentioned that there is no theatre untouched by Bertolt Brecht’s theories and practices on theatre. In the 21st century, the way we look at theatre has its roots in Brecht’s Aesthetic.
Now, this book is like the Brecht Bible essentially. Packed with all his views and opinions on the theatre, society and culture around theatre, acting, etc. Its big, dense and the type set is small enough to make you cry sometimes because he just never seems to stop.
I had a hard time following and understanding it, but that is no fault of this edition, but more so the long winded thoughts of Brecht. The core of his ideas and points are there, they just need to be searched for. Sometimes he makes it very clear what point he is trying to make, but sometimes you have to wade through his thoughts until he nails it for you. I think for having never read it before, I wasn’t sure what was the most important part of some of the arguments he was making, but overall I know this is a valuable book to own. I think it requires guidance from someone who has studied Brecht a lot, which I fortunately had. There is a Brecht for Beginners I think out there that is a GOOD COMPANION to this book.
Rating: 3 / 5
March 31st, 2010 at 2:05 am
Brecht’s theater is a blast, a genuine attempt to do something unique and productive with the heretofore conservative and corporate medium of the stage. It represents the first wave of revolution in European theater since the English stage was closed in the mid-17th century. Brecht successfully constructs an antifascist, anti-exploitative theater without being didactic or heavyhanded about it. (As I mentioned, it’s actually a blast.) Much of his success came from surrounding himself with brilliant and dedicated people, and much of the success of this collection of Brecht’s writings comes from Brecht’s polishing his ideas in the tumbler of real practice with those people. For me, Brecht’s passing comments on Aristotle and Shakespeare are worth the price of admission.
Rating: 5 / 5