Ensemble Theatre Group

The home theatre. The pinnacle of modern domestic achievement. When our ancestors flocked to the initial cinemas to gaze up in awe at the “picture shows,” little did they guess that their descendents would one day snub such locations in favor of mammoth flat screen TVs and the latest in home theatre audio equipment. Because after all, why go out for dinner and a movie when you can stay in?

The home theatre system is the latest stage in America’s ongoing romance with the television. What began as a simple black and white box has evolved into full-scale, no-holds-barred, virtual movie theatre that dominates at least one room in the average American home. And what is a movie theatre without sound? And not just any sound, but in-your-face sound that blows you out of your chair and makes you feel like you’re actually in the building that just collapsed (or the space ship that just took off, or the semi that just jackknifed…). Yes, sound is the key to the home theatre experience, and when it comes to choosing an audio system to grace your den or family room, there is no shortage of options.

An integrated home theatre audio system is often referred to as “home theatre in a box,” or HTiB. A basic system might include a 2.1 speaker system with left and right speakers and a small, 8-inch subwoofer. The most inexpensive such system will be no more than a few hundred dollars. A step up from the basic, costing several thousand dollars, might include a several-thousand-watt home theatre receiver with five to seven surround sound speakers and a powered, twelve-inch subwoofer. Finally, for those truly dedicated to their DVD collections, it is possible to build an entire room specifically designed for watching movies. Such rooms, which can cost in excess of $100,000, will often boast sophisticated acoustical design elements and will doubtless include audiophile-grade sound equipment. An audiophile, for those unfamiliar with the term, is a person who is enthusiastic about and uses high-fidelity sound reproduction equipment.

Not surprisingly, it is impossible to separate the visual from the audible when it comes to home theatre. The different levels of HTiB mentioned above are all associated with televisions of varying degrees of quality. Whereas the most basic system will probably use a standard CRT television, a mid-range setup might utilize a high-definition television and a matching video format. As for the specialized theatre rooms, well, they often include actual cinema mini-screens complete with projection booths.

To say that there are lots of different HTiB manufactures out there is undoubtedly an understatement. Samsung, Panasonic, Philips, Sony, Bose…all offer a variety of options when it comes to home theatre audio. Not all brands are created equal, of course, and certain labels have better reputations than others. It is therefore advisable to do a reasonable amount of research before purchasing a home theatre system. Factors that should be taken into account include not only desired quality and budget, but the space within which one has to work. It would be unfortunate, for example, to spend $5,000 on a top-of-the-line system only to discover that there is no place in your den for a twelve-inch subwoofer.

When David Hampton—the notoriously raffish con man who inspired Guare’s most popular play—died of AIDS complications in 2003, The New York Times quoted one of his last victims. The man had gone on a date with Hampton in 2001, during which the swindler managed to finagle $1,000 for a phony September 11 celebrity benefit before sneaking off, leaving his date with a $423 dinner tab. But “Honestly?” said the mark. “It was one of the best dates that I ever went on.”

Evidently, Hampton maintained his beguiling knack for separating urbanites from their money long after Guare dramatized, in 1990, Hampton’s most impressive scam, that of persuading members of Manhattan’s upper crust to take him in as the son of Sidney Poitier. Of course, Guare is interested in more than the attractions of one con artist; he uses the story both to poke fun at and commiserate with his real subject: the well-meaning but somewhat lost liberal rich.

The play’s success in performance hinges on whether we buy that Paul (the Hampton character) could charm the pants and pocketbook off pretty much anyone. On that account, Marra’s otherwise lively production fails: Engelen brings to the character a childlike sincerity that justifies the older characters’ parental concern for him, yet there’s nothing irresistibly seductive about his Paul. As the principal scamees, Griffith and Steinhagen display some comic timing but lack the necessary air of patrician breeding troubled by liberal guilt.

Read more: http://chicago.timeout.com/articles/theater/69269/six-degrees-of-separation-signal-ensemble-theatre-at-chopin-theatre-theater-review#ixzz0ah3XrnwH