Pocket Sandwich Theatre is a one-stop destination where one can enjoy to the fullest in every sense of entertainment. They maintain that the place is the most fun packed place in the Dallas theatre. They constantly strive to live up to the expectations of their customers and provide them with best entertainment possible. The overall atmosphere is very casual and friendly. They have professional quality of stage shows, periodic dramas and theatrical shows. All these are blended with good food, drink and other amenities which make it a wonderful place to have fun.

To experience the action packed dramas and be a part of all this excitement it is necessary to locate the place primarily. Pocket Sandwich Theatre is a place in Dallas, centrally located one block east of Central Express Highway Number 75. Its exact location is at 5400 East Mockingbird Lane, Suite 119 of the Central Plaza. It is a place where you can relax while enjoying different varieties of food, with friends and families. The theatre has all this and much more with the thrill of seeing a live performance in an intimate setting.

The Pocket Sandwich Theatre has a capacity to seat near about 145 guests at the table, and the bar. There is also a facility for booth seating, assigned to guests as they arrive. There are special arrangements or considerations when larger groups of people come at a time to seat them together. Special arrangements are made for patrons with special physical needs.

It is a good place to spend in value time with family and friends. Pocket Sandwich Theatre gives out an exquisite mixture of Comedies, Melodramas, and Music shows with occasional drama thrown to keep-up the pace of the audience. The main motive behind the theatre management is to highly entertain the audiences with the selected shows. They should feel much better and contented when they leave the place than coming in the theatre. The care is taken by the management to intimate the audiences if their shows are not targeted to the children. Usually the late night shows are not to be meant for children, as they are not expected to turn out during that time.

The atmosphere inside the Pocket Sandwich Theatre is so well maintained it more than satisfies and entertains the audience. The scripts of the shows are most hilarious and they are done in good-natured fun. Before any of the performance starts, the guests are served with nachos, popcorn along with pitchers of beer and other beverages. This surely makes any play bearable, but usually all of them are of high-class. The audiences are encouraged for passive entertainment too. That means they are also encouraged to throw popcorns at the overdramatic performers whether they are good or bad. This unique adventure is fun for all the age groups. 

Everyone can enjoy these shows with lovely sandwiches served. They constitute the dinner with some appetizers. For those who really want to have a blast at the Pocket Sandwich Theatre should well before reserve their seats.

American Theatre

When the theatre first opened on Oct. 15, 1930, the super-cinema was called the New Victoria Cinema and played a George Arils film in Old English, which was based on a John Galsworthy stage play. The Apollo Victoria was equipped with a theatre organ, which was played opening night by Reginald Foort. Aside from the films shown, the theatre also offered variety shows to the public. Soon after the theatre’s opening, the management diminished the number of variety shows and began to specialize in film showings and the occasional performance by big bands. In June 1939, the cinema became one of three sites in London used to present The Epsom Derby in live, experimental transmissions.

The theatre closed temporarily, due to World War II, from September 1940 to May 1941, but did not suffer any serious damage and reopened quickly thereafter. In the 1950’s, plans were made to demolish the theatre, but these plans fell through the venue was used for a combination of live shows, films, and ballet.
Live at the Orange Peel and Tennessee Theatre
In November 1975, the cinema played its final show, a double showing of “Legend of the Werewolf,” starring Peter Cushing, and “Vampire Circus,” starring Adrienne Corri. The theatre was closed after this showing, and underwent extensive renovations. It reopened in 1981, renamed the Apollo Victoria Theatre, and specialized in presenting concerts, the first of which was performed by Shirley Bassey. Other musical acts shown during the early 1980’s include Bucks Fizz, Dean Martin and Liza Minelli. During this time, the theatre also began staging musical theatre performances.

Theatrical performances in the last two-and-a-half decades or so include “The Sound of Music,” which ran from Aug. 17, 1981, to Sept. 18, 1982; “Camelot,” running from November 1982 to February 1983; “Fiddler on the Roof,” which ran from June to October 1983; 1984’s “Starlight Express,” a show which required the theatre to undergo interior modification to allow roller-skating performers to skate through the audience, running for an extremely successful 18 years; Andrew Lloyd Webber’s “Bombay Dreams” in 2002; “Saturday Night Fever,” shown in 2004, “Movin’ Out,” a musical based on the songs of Billy Joel, in 2006; and Stephen Schwartz’s “Wicked,” which is playing currently and which began its run Sept. 27, 2006. “Wicked,” has proven to be exceptionally successful for the theatre, as it pulled in £761,000, a record-breaking amount, during the first eight performances of the show and has, to date, grossed more than £50 million in London.

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Since it would have been impossible to use cranes from within the O2 dome structure, the roof of the arena was actually constructed on the ground of the venue and lifted upon completion, allowing the rest of the arena to be built around the already completed roof. The O2 arena, despite having only been open since 2007, has already played host to several music and sporting events.

The arena is comprised of three seating areas, the upper and lower tiers, built in the same manner as an amphitheatre, and the floor. Arena management claims there is a clear view to be had from any seat in the arena. The arena is also located in a low emission zone in London and, as such, was designed to be environmentally friendly. Within the venue, steps are taken to reduce carbon emissions. Some of these steps include recycling used cooking oil from the food vendors and composting waste food.

The first performance in the O2 arena, which took place June 23, 2007, was an event strictly for the O2 staff. The “O2 Premiere” private event consisted of performances by Peter Kay, Tom Jones, Kaiser Chiefs and Basement Jaxx. The venue opened to the public June 24, 2007, with a concert performed by Bon Jovi.
KEANE O2 Arena 21st July 2007 – Custom Framed Original Concert Ad – Framed Music Poster/Print
On Dec. 10, 2007, Led Zepplin played their first show in 25 years at the arena. Five days later, on Dec. 25, the Spice Girls played their first British concert in almost 10 years in their original five-piece group form at the arena.

In April of the next year, the Olympic torch passed the site during its relay in London and the arena hosted WWE tapings for ECW, SmackDown, and Raw; and in August, Tiësto became the first DJ to entirely sell out the venue in advance of the actual show.

The arena has hosted, aside from sporting events including ice skating, wrestling and boxing, several musical acts, including The Eagles, Prince, Smashing Pumpkins, and Justin Timberlake.

Since its opening, the entire O2 structure has been shown at several times in several different movie and television presentations. In the 2005 film “Green Street,” the O2 can be seen during the final fight scene. In 2006’s “The Da Vinci Code,” the O2 is featured prominently in the background during one sequence. In the James Bond film “The World is Not Enough,” the O2 was the structure that aided James Bond in reaching his hot air balloon destination. In season seven of “The Amazing Race,” the O2 was the location of a roadblock for the contestants, during which they had to properly drive a double-decker bus.

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The theatre was, for many years, home to the D’Oyly Carte Opera Company and the Carte family ran it for more than a century. D’Oyly Carte’s son, Rupert, modernized and rebuilt the theatre in 1929 and in 1993, following a fire, it was rebuilt again. The original design for the theatre was came from C.J. Phipps.

It closed in 1903 and reopened in February 1904 with John Leigh and Edward Laurillard acting as managers. They remained in the managerial positions until December 1906, when the D’Oyly Carte Opera Company returned to the site for repertory seasons between 1906 and 1909. At this point, C.H. Workman took over the manager position until 1911.

The theatre was managed by George Augustus Richardson from November 1911 to Feburary 1915, at which point D’Oyly Carte’s son, Rupert D’Oyly Carte, took over. Rupert decided to bring the D’Oyly Carte Opera Company back to the theatre at this time and he also hired Malcolm Sargent and Geoffrey Toye as guest conductors and Isidore Godfrey and Harry Norris as musical directors.
Savoy Theatre was closed June 3, 1929, and the interior of the building was rebuilt completely. The original capacity of the theatre was 1,292, but was reduced to 986 by 1912. The new theatre designed allowed for 1,200 people. The theatre was reopened Oct. 21, 1929, and presented a production of “The Gondoliers.”
Historic Print (M): [Savoy Theatre and Hotel Dunlop, Boardwalk and Ocean Ave., Atlantic City, New Jersey] /
Gilbert and Sullivan seasons ran at the Savoy Theatre on and off from 1929 to 2003. The theatre also featured “Blithe Spirit” in 1941, which ran for 1,997 consecutive performances.
Management of the theatre went to Sir Hugh Wotner in 1948. The D’Oyly Carte Opera Company ceased operations in 1982 and the last heir of the D’Oyly Carte family died in 1985, effectively ending the family line.

During renovations in 1990, a fire destroyed the building, sans the stage and backstage area. It reopened July 19, 1993, and the newly rebuilt theatre currently seats 1,158. During the renovations, a swimming pool was added above the stage and another story was added about the theatre.

Since 1993, some shows at the theatre have included “Relative Values,” “Travesties,” the musical “She Loves Me,” “Dead Funny,” and “Coward’s Hay Fever.” In 2000, the D’Oyly Carte Opera Company was shortly reconstituted and produced “H.M.S. Pinafore” and “Pirates of Penzance.” The company followed these with “The Barber Seville” in 2004.

Currently, the theatre (located at The Strand, Westminster, London, WC2R 0ET), is showing Rodgers and Hammerstein’s “Carousel,” a show which debuted Nov. 29, 2008.

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The first play shown at the Gielgud (at the time, the Hicks) Theatre was “The Beauty of Bath,” a musical by Hicks and Cosmo Hamilton, followed by “My Darling” in 1907 and the operetta “A Waltz Dream,” which ran in 1908. During the next show, 1909’s “The Dashing Little Duke,” when Ellaline Terriss, the actress playing the title role of a woman playing a man, fell ill, her husband took her place for several performances, effectively making him a man playing a woman playing a man. The theatre was renamed the Globe Theatre in 1909 when the name because available following the demolition of the theatre formerly holding the name. Several popular and noted shows ran at the theatre in the years following the name change, such as “Call It A Day” by Dodie Smith, which opened in 1935 and ran for 509 showings.
JOHN GIELGUD – THE HAPPY HYPOCRITE – LIVING THEATRE IN HI-FI LP
In 1966, “There’s a Girl in My Soup,” a show by Terence Frisby, opened and ran for a record 1,064 performances. This remained the record until “Daisy Pulls It Off” by Andrew Lloyd Webber broke it with 1,180 runs in 1983. This remains the record to this day. Other shows performed at the Gielgud Theatre between 1966 and the renovations made to the building in 1987 include Bill Owen’s “The Matchgirls”; “Design for Living” by Noël Coward; and the aforementioned “Daisy Pulls it Off.”

In 1987, the theatre underwent extensive renovations and careful attention was paid to perfecting the auditorium’s gold leaf design. The modern theatre is noted for its circular Regency staircase and the tower and oval gallery.

In 1994, the theatre was again renamed, as Shakespeare’s Globe Theatre had a planned 1997 opening and management wanted to avoid unnecessary confusion. It was renamed the Gielgud Theatre in honor of John Gielgud, a British actor. In 2003, it was announced that plans were being made for another major refurbishment of the building. Work began toward these renovations in 2006. The theatre will eventually have a joint entrance foyer shared with the Queen’s Theatre. Work began on the fascade of the theatre in March of 2007.

During the last 10 years, shows of note have included 2004’s “One Flew Over the Cuckoo’s Nest”; 2005’s “Some Girls,” which starred noted actors David Schwimmer and Catherine Tate; 2006’s RSC’s “The Canterbury Tales”; 2007’s “Macbeth” and “Equus”; and 2008’s “God of Carnage.” “Enjoy,” by Alan Bennett and starring Alison Steadman, will begin in 2009.

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After “Blue Bell,” the theatre showed “The Beauty of Bath” in 1906, “The Gay Gordons” in 1907, and the site was used as the rehearsal space for “Le Sacre du Printemps,” a controversial play which premiered in Paris later that year. In 1920, “The Unknown” was performed and from 1925 to 1933, it was the performing center for farces by Ben Travers, featuring Norma Varden, Winifred Shotter, Robertson Hare, comedian Tom Walls and Yvonne Arnauld, a popular singer of the time. These performances, played exclusively at this theatre, were known as “The Aldwych Farces.” In 1933, a new version of “Das Dreimäderlhaus” was presented at the theatre under the title “Lilac Time.” “A Streetcar Named Desire” was shown in 1949 and the Academy Award-winning actress Vivien Leigh, who had won the award for the film version of the play, performed. The show was directed by Laurence Olivier, Leigh’s husband.
Shelley Duvall’s Faerie Tale Theatre: The Complete Collection
In December of 1960, the theatre management announced that the Royal Shakespeare Company of Stratford-upon-Avon was planning to base its London productions in the theatre for the next three years. In actuality, the group stayed in the theatre for more than 20 years, moving to the Barbican Arts Center in 1982. During the company’s time in the theatre, they produced many popular shows including “The Greeks,” “Nicholas Nickleby,” and multiple Shakespeare shows.

From 1990 to 1991, “Private Lives,” starring Joan Collins, was shown at the Aldwych. Other productions include “An Inspector Calls,” shown from 1993 to 1995; “Indian Ink,” running from 1995 to 1996; “Tolstoy,” shown from April to May 1996; Andrew Lloyd Webber and Jim Steinman’s “Whistle Down the Wind,” which ran from 1998 to 2001; “Thunderbirds FAB,” performed from 2001 to 2002; “Fame – the Musical,” which had an impressive run spanning from Sept. 6, 2002, to April 22, 2006; and “Dirty Dancing – the Classic Story on Stage,” which premiered Sept. 28, 2006, and continues to play currently.
Aldwych Theatre Presents Miss Alexandra Carlisle as Proud Maisie 12×18 Giclee on canvas
The theatre has a potential capacity of 1,176 patrons, but as the standing areas are rarely used, it effectively has 1,092 seats. The stalls of the theatre have two aisles that run from the back of the theatre to row HH. The seats in the front section have no gangway and are in one central block. The Dress Circle offers great views of the stage, sans row M, which is affected by the Upper Circle’s overhang. There are also a few front-row seats which may have views blocked by a handrail.

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