When the theatre first opened on Oct. 15, 1930, the super-cinema was called the New Victoria Cinema and played a George Arils film in Old English, which was based on a John Galsworthy stage play. The Apollo Victoria was equipped with a theatre organ, which was played opening night by Reginald Foort. Aside from the films shown, the theatre also offered variety shows to the public. Soon after the theatre’s opening, the management diminished the number of variety shows and began to specialize in film showings and the occasional performance by big bands. In June 1939, the cinema became one of three sites in London used to present The Epsom Derby in live, experimental transmissions.

The theatre closed temporarily, due to World War II, from September 1940 to May 1941, but did not suffer any serious damage and reopened quickly thereafter. In the 1950’s, plans were made to demolish the theatre, but these plans fell through the venue was used for a combination of live shows, films, and ballet.
Live at the Orange Peel and Tennessee Theatre
In November 1975, the cinema played its final show, a double showing of “Legend of the Werewolf,” starring Peter Cushing, and “Vampire Circus,” starring Adrienne Corri. The theatre was closed after this showing, and underwent extensive renovations. It reopened in 1981, renamed the Apollo Victoria Theatre, and specialized in presenting concerts, the first of which was performed by Shirley Bassey. Other musical acts shown during the early 1980’s include Bucks Fizz, Dean Martin and Liza Minelli. During this time, the theatre also began staging musical theatre performances.

Theatrical performances in the last two-and-a-half decades or so include “The Sound of Music,” which ran from Aug. 17, 1981, to Sept. 18, 1982; “Camelot,” running from November 1982 to February 1983; “Fiddler on the Roof,” which ran from June to October 1983; 1984’s “Starlight Express,” a show which required the theatre to undergo interior modification to allow roller-skating performers to skate through the audience, running for an extremely successful 18 years; Andrew Lloyd Webber’s “Bombay Dreams” in 2002; “Saturday Night Fever,” shown in 2004, “Movin’ Out,” a musical based on the songs of Billy Joel, in 2006; and Stephen Schwartz’s “Wicked,” which is playing currently and which began its run Sept. 27, 2006. “Wicked,” has proven to be exceptionally successful for the theatre, as it pulled in £761,000, a record-breaking amount, during the first eight performances of the show and has, to date, grossed more than £50 million in London.

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The first major stage of making a successful application to drama school is finding the performing arts training programme which is best suited to you at this time. Focus on your current performance skills and your career aspirations. For example, if you can sing and act but not dance and you want to be a ‘triple-threat’ musical theatre performer, don’t apply for a course which has a crucial dance component. Instead, I would recommend finding a one-year foundation level course which will help you to develop your dance skills or focussing on your singing and acting skills and finding a courses which just focuses on these disciplines.

Once you have done your homework into the courses which suit your skills, requirements and career aspirations, you can think about submitting your application forms. In my experience, the people who apply for ten or even more courses in the same year are less successful overall than those who focus on three or four applications. So I recommend narrowing your choices down to the courses which you think are most suited to you at this time and then focussing on submitting excellent application forms for these institutions.

Your application form should be completely truthful about the skills and experience you have in the performing arts – any enhancement of the truth will be spotted as soon as you start to perform at audition. Your opportunity to impressive the admissions team reading your application form is in your personal statement. Spend time getting this right – it’s really important! Make sure you demonstrate your reliability, commitment to the arts and strong work ethic which are important traits of all performing arts students. In addition, you should highlight special performances and projects you have done and, importantly, indicate why this has made you a stronger performer. Unique performance skills are also worth mentioning even when applying for the more traditional drama schools.

When you get your audition date, begin preparing right away. Don’t leave it to last minute and make your decisions about your monologues and singing repertoire quickly so you can get to work on them. Seek advice on your monologue and song choices to make sure you are not only presenting the most suitable material for you but also for the drama school you are applying to.

For more advice and guidance to help you make a successful application to drama school, register free at MyStageDoor.co.uk. Register today and get free access to training tips, leading advice for the performing arts, industry news, info on events in your area and the opportunity to meet other like-minded performers.
High School Musical

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Maxwell David is one of London\’s leading performing arts specialists and Co-Founder of MyStageDoor.co.uk, the platform for aspiring performers. Aspiring performers can register free at mystagedoor.co.uk and get unlimited access to training tips, career advice for the performing arts, info on events in their area, industry news and the opportunity to meet other like-minded performers.

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When it comes to booking theatre tickets it is quite the other story, people seldom like to stand in long lines that could go on virtually for an hour and wait their turn at the ticket counter. When they do reach the window they find that the seats they wanted so much have been taken up by someone else already. This can create a lot of frustration.
Theatre Ticket Album
However there is another alternative to buying theatre tickets. You can check out theatre tickets online, you will find that you can save time, the hard work and the frustration. You can pay online through the credit card. You can also check out other time and venue where the theatre program is being performed. This way you can find out the appropriate day when the theatre program will take place and which you can visit.

If you are worried about whether or not you will be able to find out the place you want to sit at, you can check out the charts where they will let you know the rate of each seating arrangement. You will also know the seating arrangement. If there are smaller children going to go with you, the seats should be such which they find comfortable.

Many a times, there are some of the world’s most renowned events taking place at the theatre at such times booking theatre tickets online can prove to be a great boon, this way you will be able to find proper place and book tickets well in advance before the charts close down. such tickets could be a little expensive, therefore, you may need to shell out a little more money than you pay for the local artists and theatre groups.
American Girl Molly Emily Movie Theatre Seats Popcorn Licorice tickets
There are many theatre groups performing world wide, therefore, you would want to know which one is performing near you place and when if you are interested in a particular group. This information can be provided to you by the websites that sell online tickets. Subscribing to their newsletter will help you know all the upcoming theatre performances. You can also check out which one you can attend. You can check out favorite theatre groups and dramas and plan accordingly to enjoy theatre.

If you do not want the newsletter to continue you can cancel it, this process is easy. Theatre tickets can also be given away as gifts to people near to you, if you are aware of the person’s favorites you can choose and pick your gift. Gifting theatre tickets to some premium performances will make your gift a most memorable event for that person.

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Online Ticket Agency selling tickets to events nationwide. Visit http://www.warehousetickets.net

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The first incarnation of the theatre came to light after the Puritan Interregnum, which was an 11-year ban on “frivolous” pastimes, including theatre. It opened May 7, 1663, and was known as the “King’s Playhouse” by many. The original building was a wooden structure made of three tiers, 112 feet long and 59 feet wide. At maximum capacity, it could hold 700 patrons. The performances during this time typically took place around 3 p.m. in order to make use of the daylight. There was no roof over the audience pit, which oftentimes left those attending plays at the mercy of the elements.
Live at the Theatre Royal Drury Lane
When the first theatre was destroyed by fire in 1672, the second theatre, named the “Theatre Royale in Drury Lane,” opened in 1794. This theatre lasted almost 120 years but was demolished in 1791 to make room for a bigger theatre, which opened in 1794. This theatre only lasted 15 years, as it also burned down in 1809.

The theatre building still existing today opened on Oct. 10, 1812. It seats about 2,237 people which, despite still being considered a large theatre, makes it approximately 550 seats smaller than the previous building.

Since its opening, it has been visited by Shakespearean actors, comedians, musical composer and performers and even the Monty Python comedy troupe, who recorded a concert album there. World War II forced the theatre to temporarily close and during the war, the theatre was used as headquarters for the Entertainments National Service Association. Although the theatre suffered minor bomb damage, it reopened in 1946 with Noel Coward’s “Pacific 1860.”

Since the war, it has produced mainly musical theatre, including several Rodgers and Hammerstein musicals including “Oklahoma!” In 1946, “South Pacific” in 1951 and “The King and I” in 1953. Other productions have included “My Fair Lady,” which had a five-year run beginning in 1958; “42nd Street” from 1984 to 1989; Miss Saigon from 1989 to 1999; and, more recently, “The Producers,” which closed in January 2007; a musical adaptation of “The Lord of the Rings,” which closed July 19, 2008; and “Oliver!” which began directly after the closing of “The Lord of the Rings.” The Drury Lane theatre is currently owned by Andrew Lloyd Webber.

It is often referred to as one of the world’s most haunted theatres. One of the most famous spirits alleged to haunt the theatre is that of the “Man in Grey,” a man whose skeleton was found in a walled-up room in 1848. Other supposed ghosts within the theatre include the spirits of comedian Joe Grimaldi and actor Charles Macklin.

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Since it would have been impossible to use cranes from within the O2 dome structure, the roof of the arena was actually constructed on the ground of the venue and lifted upon completion, allowing the rest of the arena to be built around the already completed roof. The O2 arena, despite having only been open since 2007, has already played host to several music and sporting events.

The arena is comprised of three seating areas, the upper and lower tiers, built in the same manner as an amphitheatre, and the floor. Arena management claims there is a clear view to be had from any seat in the arena. The arena is also located in a low emission zone in London and, as such, was designed to be environmentally friendly. Within the venue, steps are taken to reduce carbon emissions. Some of these steps include recycling used cooking oil from the food vendors and composting waste food.

The first performance in the O2 arena, which took place June 23, 2007, was an event strictly for the O2 staff. The “O2 Premiere” private event consisted of performances by Peter Kay, Tom Jones, Kaiser Chiefs and Basement Jaxx. The venue opened to the public June 24, 2007, with a concert performed by Bon Jovi.
KEANE O2 Arena 21st July 2007 – Custom Framed Original Concert Ad – Framed Music Poster/Print
On Dec. 10, 2007, Led Zepplin played their first show in 25 years at the arena. Five days later, on Dec. 25, the Spice Girls played their first British concert in almost 10 years in their original five-piece group form at the arena.

In April of the next year, the Olympic torch passed the site during its relay in London and the arena hosted WWE tapings for ECW, SmackDown, and Raw; and in August, Tiësto became the first DJ to entirely sell out the venue in advance of the actual show.

The arena has hosted, aside from sporting events including ice skating, wrestling and boxing, several musical acts, including The Eagles, Prince, Smashing Pumpkins, and Justin Timberlake.

Since its opening, the entire O2 structure has been shown at several times in several different movie and television presentations. In the 2005 film “Green Street,” the O2 can be seen during the final fight scene. In 2006’s “The Da Vinci Code,” the O2 is featured prominently in the background during one sequence. In the James Bond film “The World is Not Enough,” the O2 was the structure that aided James Bond in reaching his hot air balloon destination. In season seven of “The Amazing Race,” the O2 was the location of a roadblock for the contestants, during which they had to properly drive a double-decker bus.

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The first few years of the theatre saw the performance of the first modern English opera, “The Mountain Sylph” the same year of its opening. This performance was followed by “Fair Rosamun,” performed in 1837, “Farinelli” in 1839 and “Blanche of Jersey,” shown in 1840.

Michael Balfe managed the theatre from 1841 to 1843, producing National Opera, but this proved to be unsuccessful. The works of Charles Dickens became associated with the theatre at this time, and an adaptation of “Martin Chuzzlewit” ran for more than 100 performances between 1844 and 1845.

Madame Lucia Elizabeth Vestris managed the theatre from 1847 to 1855 and produced shows by James Planché and the adaptation of “A Tale of Two Cities” by Tom Taylor. It was then managed by Charles Fechter from 1863 to 1867.
Canvas Print, Sherlock Holmes: The Lyceum Theatre, London – 12 x 18
In 1871, under manager Hezekiah Linthicum Bateman, the theatre produced shows starring Sir Henry Irving. In 1874, “Hamlet” ran for 200 nights with Irving in the starring role. Upon Bateman’s death in 1878, Irving took over the theatre. During his tenure as manager, several popular shows were played, including “The Merchant of Venice,” “King Lear,” and “Much Ado About Nothing.”
1904 saw the rebuilding of the theatre’s interior and the theatre began presenting music and variety shows, trying to compete with the London Coliseum and the Palace Theatre. This, however, was not successful, and the theatre began, once again, showcasing strictly drama. In 1919, more alterations were made and dramas continued playing for 10 months out of every year.

In 1937, the theatre was converted into a cinema, but only one film, “The Gang Show,” was ever shown, in April of 1937. The following month, the space was converted back into a live theatre venue.

The London City Council bought the building in 1939, planning to demolish it. After the war, the demolition plans were abandoned, and the building was reopened as a ballroom. During the 1960s and 1970s, the space was used as a concert venue and for television broadcasts.

The theatre shut down in 1986. Owner Brent Walker leased the space but eventually gave up the lease, allowing the theatre to be restored and in 1996, the space was reconverted into a theatre with the capabilities to present large-scale musicals or opera. “The Lion King” musical has been playing since 1999.

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The theatre was, for many years, home to the D’Oyly Carte Opera Company and the Carte family ran it for more than a century. D’Oyly Carte’s son, Rupert, modernized and rebuilt the theatre in 1929 and in 1993, following a fire, it was rebuilt again. The original design for the theatre was came from C.J. Phipps.

It closed in 1903 and reopened in February 1904 with John Leigh and Edward Laurillard acting as managers. They remained in the managerial positions until December 1906, when the D’Oyly Carte Opera Company returned to the site for repertory seasons between 1906 and 1909. At this point, C.H. Workman took over the manager position until 1911.

The theatre was managed by George Augustus Richardson from November 1911 to Feburary 1915, at which point D’Oyly Carte’s son, Rupert D’Oyly Carte, took over. Rupert decided to bring the D’Oyly Carte Opera Company back to the theatre at this time and he also hired Malcolm Sargent and Geoffrey Toye as guest conductors and Isidore Godfrey and Harry Norris as musical directors.
Savoy Theatre was closed June 3, 1929, and the interior of the building was rebuilt completely. The original capacity of the theatre was 1,292, but was reduced to 986 by 1912. The new theatre designed allowed for 1,200 people. The theatre was reopened Oct. 21, 1929, and presented a production of “The Gondoliers.”
Historic Print (M): [Savoy Theatre and Hotel Dunlop, Boardwalk and Ocean Ave., Atlantic City, New Jersey] /
Gilbert and Sullivan seasons ran at the Savoy Theatre on and off from 1929 to 2003. The theatre also featured “Blithe Spirit” in 1941, which ran for 1,997 consecutive performances.
Management of the theatre went to Sir Hugh Wotner in 1948. The D’Oyly Carte Opera Company ceased operations in 1982 and the last heir of the D’Oyly Carte family died in 1985, effectively ending the family line.

During renovations in 1990, a fire destroyed the building, sans the stage and backstage area. It reopened July 19, 1993, and the newly rebuilt theatre currently seats 1,158. During the renovations, a swimming pool was added above the stage and another story was added about the theatre.

Since 1993, some shows at the theatre have included “Relative Values,” “Travesties,” the musical “She Loves Me,” “Dead Funny,” and “Coward’s Hay Fever.” In 2000, the D’Oyly Carte Opera Company was shortly reconstituted and produced “H.M.S. Pinafore” and “Pirates of Penzance.” The company followed these with “The Barber Seville” in 2004.

Currently, the theatre (located at The Strand, Westminster, London, WC2R 0ET), is showing Rodgers and Hammerstein’s “Carousel,” a show which debuted Nov. 29, 2008.

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The first play shown at the Gielgud (at the time, the Hicks) Theatre was “The Beauty of Bath,” a musical by Hicks and Cosmo Hamilton, followed by “My Darling” in 1907 and the operetta “A Waltz Dream,” which ran in 1908. During the next show, 1909’s “The Dashing Little Duke,” when Ellaline Terriss, the actress playing the title role of a woman playing a man, fell ill, her husband took her place for several performances, effectively making him a man playing a woman playing a man. The theatre was renamed the Globe Theatre in 1909 when the name because available following the demolition of the theatre formerly holding the name. Several popular and noted shows ran at the theatre in the years following the name change, such as “Call It A Day” by Dodie Smith, which opened in 1935 and ran for 509 showings.
JOHN GIELGUD – THE HAPPY HYPOCRITE – LIVING THEATRE IN HI-FI LP
In 1966, “There’s a Girl in My Soup,” a show by Terence Frisby, opened and ran for a record 1,064 performances. This remained the record until “Daisy Pulls It Off” by Andrew Lloyd Webber broke it with 1,180 runs in 1983. This remains the record to this day. Other shows performed at the Gielgud Theatre between 1966 and the renovations made to the building in 1987 include Bill Owen’s “The Matchgirls”; “Design for Living” by Noël Coward; and the aforementioned “Daisy Pulls it Off.”

In 1987, the theatre underwent extensive renovations and careful attention was paid to perfecting the auditorium’s gold leaf design. The modern theatre is noted for its circular Regency staircase and the tower and oval gallery.

In 1994, the theatre was again renamed, as Shakespeare’s Globe Theatre had a planned 1997 opening and management wanted to avoid unnecessary confusion. It was renamed the Gielgud Theatre in honor of John Gielgud, a British actor. In 2003, it was announced that plans were being made for another major refurbishment of the building. Work began toward these renovations in 2006. The theatre will eventually have a joint entrance foyer shared with the Queen’s Theatre. Work began on the fascade of the theatre in March of 2007.

During the last 10 years, shows of note have included 2004’s “One Flew Over the Cuckoo’s Nest”; 2005’s “Some Girls,” which starred noted actors David Schwimmer and Catherine Tate; 2006’s RSC’s “The Canterbury Tales”; 2007’s “Macbeth” and “Equus”; and 2008’s “God of Carnage.” “Enjoy,” by Alan Bennett and starring Alison Steadman, will begin in 2009.

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The theatre hosted “The Follies,” by H.G. Pelissier between 1908 and 1912. Following this show, a variety of other plays were presented, including “Hobson’s Choice” and Gilbert Dayle’s “What Would a Gentleman Do?”

Beginning in 1913, the Apollo showcased several revivals and plays by actor/producer Sir Charles Hawtrey, including “Trilby,” “Things We’d Like to Know,” “General John Regan,” and “A Little Fowl Play,” even though the Apollo’s shows were almost all musical productions otherwise.
In 1920, the theatre produced a three-act comedy entitled “Such a Nice Young Man,” and in the years following, audiences were treated to matinee plays such as “The Best Policy,” “Galey Slaves,” and 1922’s “The Wheel,” a show by J.B. Fagan starring Edith Evans. Edward Laurillard and George Grossmith Jr. managed the theatre during this time. The duo also produced several other plays and revivals, including “Such a Nice Young Man” and “The Only Girl.”

In 1924, the Apollo produced “The Fake,” featuring Godfrey Tearle, which was considered the greatest success of the year. Following this success, in 1926, “Is Zat So” ran for an impressive 234 performances and in 1927, “Irish Rose” and “Whispering Wires” were shown.
Variety at the Apollo Theatre [VHS]
The theatre was renovated in 1932 and the Royal Box received an ante room and a private foyer. Shows presented during this time include “Wild Decembers,” “Idiot’s Delight,” “Gaslight,” and “Flare Path.”

The theatre was taken over by Prince Littler in 1944. Between 1944 and 1950, the theatre produced “Private Lives,” “The Happiest Days of Your Life,” and “Treasure Hunt.” Beginning in 1950, “Seagulls Over Sorrento” ran for more than three years. Also in this year, the theatre had an audience capacity of 893.

The Apollo’s longest-running show, “Boeing Boeing,” which starred Patrick Cargill and David Tomlinson, opened in 1962 and ran until it transferred to the Duchess Theatre in 1965. “Forty Years On” came to the Apollo stage in 1968 and 1969 saw David Storey’s “Home.”

Throughout the 1970s and 1980s, several popular comedies were shown in the theatre, including “Orphans, “I’m Not Rappaport,” “Driving Miss Daisy,” and “Jeffrey Bernard is Unwell.”

In the 21st century, the theatre has seen a number of big hits, among them “Side Man,” “Who’s Afraid of Virginia Woolf,” “The Vortex,” “Summer and Smoke,” “The Glass Menagerie,” and “The Last Five Years.”

Apollo Theatre, which was purchased in 2005 by Max Weitzenhoffer and Nica Burns, became part of the Nimax Theatres group, a distinction it retains to today. Currently, “Rain Man” with American actor Josh Hartnett is playing at the theatre.

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Actor Lee Mead is currently playing the title role. Mead will continue playing Joseph until January 10, 2009, after which time his understudy Ricky Rojas will take over until the new Joseph, Gareth Gates, steps into the role on February 9. Gates is a former Pop Idol finalist who recently performed with ITV’s Dancing on Ice. Joseph is showing at the Adelphi Theatre weekly through July 18.

London’s Adelphi Theatre has been providing entertainment for audiences since 1806. It was established by a businessman named John Scott and his daughter, Jane. Jane was a playwright who also performed in the theatre. She wrote over 50 dramatic pieces in a variety of genres.

Originally called the Sans Pareil, which means “without compare,” the theatre has been known by many names. It was renamed after the nearby Adelphi Buildings in 1819, and has also been called the Theatre Royal Adelphi, The New Adelphi and, for a few years after the turn of the twentieth century, The Century Theatre.

It has hosted many musicals and comedies, as well as several ghostly melodramas written by Charles Dickens and other writers. The Haunted Man and the Ghost’s Bargain was the most famous of Dickens’ haunted tales that was performed at the Adelphi Theatre. Adaptations of many of Dickens’s novels, including A Christmas Carol and The Pickwick Papers, were also performed at the Adelphi.

The Adelphi’s history of haunting melodramas is fitting, since it is rumored that the Adelphi itself is haunted. Actor William Terriss, who was stabbed to death outside the theatre in 1897, has been said to haunt some of the theatre’s backstage areas. Terriss was killed by his protégé, Richard Archer Prince. A plaque commemorating Terriss hangs on the back wall of the theatre.
Adelphi Theatre, c.1837 Giclee Poster Print, 32×24
The Adelphi was originally a small, cramped theatre. As the venue where many of Dickens’s novel adaptations were performed, the theatre grew in popularity and eventually needed more space. The too-small Adelphi was torn down and a larger, 1500-seat structure was built in its place, opening in 1858. Since then, the theatre has been rebuilt twice more, in 1901 and 1930. The current structure seats 1550 people.

The Adelphi Theatre is located near Charing Cross Station, Covent Garden and Trafalgar Square. The stage door is on Maiden Lane, at the rear of the building. The theatre is air conditioned and offers three levels of seating.

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